Citations

Endnotes:

[1] Jane Gerhard, "Judy Chicago and the Practice of 1970s Feminism," Feminist Studies 37, no. 3 (2011): 613. Gale Academic Onefile.

[2] Lisa Tickner, "The Body Politic: Female Sexuality and Women Artists Since 1970," in Framing Feminism: Art and the Women's Movement 1970-85, ed. Rozsika Parker and Griselda Pollock (New York: Pandora Press, 1987), 268-69.

[3] Tickner, "The Body Politic" 268-69.

[4] Jane Gerhard, "Judy Chicago and the Practice of 1970s Feminism," Feminist Studies 37, no. 3 (2011): 614. Gale Academic Onefile. 

[5] Judy Chicago, The Dinner Party: A Symbol of Our Heritage (New York: Anchor Press, 1979), 93.

[6] Gerhard, "Judy Chicago," 600.

[7] Gerhard, "Judy Chicago," 600.

[8] Gerhard, "Judy Chicago," 601.

[9] Gerhard, "Judy Chicago," 601.

[10] Chicago, The Dinner Party, 42.

[11] Gerhard, "Judy Chicago," 593.

[12] Gerhard, "Judy Chicago," 607.

[13] Judith E. Stein, “Collaboration,” in The Power of Feminist Art, ed. Norma Broude and Mary D. Garrard (New York: Harry N. Abrams Inc., 1994), 226.

[14] Stein, "Collaboration," 226.

[15] Stein, "Collaboration," 226. 

[16] Hilton Kramer, "Art: Judy Chicago's Dinner Party Comes to Brooklyn Museum," The New York Times, October 17, 1980, C1. 

[17] Kramer, "Art", C18. 

[18] Gerhard, "Judy Chicago," 615.

[19] Alice Henry, "Dinner Party, Box Lunch," Off Our Backs 11, no. 1 (1981): 23. www.jstor.org/stable/25774018.

[20] Gerhard, "Judy Chicago," 615.

[21] Gerhard, "Judy Chicago," 615.

[22] Mira Schor, “Backlash and Appropriation,” in The Power of Feminist Art, ed. Norma Broude and Mary D. Garrard (New York: Harry N. Abrams Inc., 1994), 251.

[23] Schor, "Backlash," 251.

[24] Schor, "Backlash," 253. 

Additional Sources Consulted:

Art and Feminism. Edited by Helena Reckitt. New York: Phaidon Press Limited, 2001.

Gosling, Lucinda, Robinson, Hilary, and Tobin, Amy. The Art of Feminism: Images that Shaped the Fight for Equality, 1857-2017. San Francisco: Chronicle Books, 2018.

Wack! Art and the Feminist Revolution. Edited by Lisa Gabrielle Mark. Los Angeles: The Museum of Contemporary Art, 2007.

Women House. Edited by Camille Morineau and Lucia Pesapane. Washington: National Museum of Women in the Arts, 2018.